Every post deserves a picture so here's today's:
I didn't take it, but I thought it was cute (and tack related!).
I have way too many unpainted resins and half finished customs.
Every single day this week, I have waited for the mailman to bring me my new horsie. Every single day I have been disappointed.
Our first stop was an upscale English tack shop in Boulder, Colorado. I had not shopped there before and honestly, I can't really afford to shop there at all. Still, Teresa and I had a great time looking and touching and dreaming. I was especially impressed with this wall of Butets. Sigh. I just love a good French saddle...
After we left FoxCreek, we headed back east to the barn where Teresa keeps her horse. There is a wonderful communal tack room there filled with high end dressage saddles,
bridles,
and all sorts of interesting odds and ends.
I don't own an Alborozo and I was worried that this set might not fit him. It's always a bit of a guessing game when you don't have the horse in hand. Even with measurements, it's so easy to get it wrong.
If you would like to see more pictures of this guy as well as Mindy's other creations, be sure to check out her website: http://www.sprucemtnstudio.com/ and tell her Jennifer sent you!
I've still got a ways to go, but it's been a productive day for sure!
As you can see, it's not an exact replica. Kim's pony is small classic sized so even though most of the straps on this harness measure less than 3/32" wide, they are proportionally wider than they are on the real harness. I could go narrower, I suppose, but you get to a point where you start sacrificing functionality and durability for just a bit more refinement. Since I know this particular harness is going to be used in the stress and bustle of a live showring, I'm not willing to do that.
Also, I've prettied it up just a wee bit. Model horse people are all about the details, so this small scale harness will have more keepers than its full sized counterpart. It's also fully stitch marked. I'm not sure that level of detail is necessary, but it sure is fun!
The other side of the desk is one big debris field.
Like so many of my best models, Rune came to me via a tack trade. I know I've said this before but it's worth repeating: I can be bribed. It doesn't matter whether or not my books are closed. If you offer me something as lovely as Rune and you don't mind waiting... Well, it never hurts to ask (especially if you have a Scarlett you're willing to part with--ha!).
The Champion steeplechase jockey turned best selling author lived a life full of riding and writing. He rode in over two thousand races and wrote forty two novels. Most of his books were set in the world of British racing, but even those that weren't always had some sort of horsey connection.
A horse crazy, book loving kid like me was bound to discover Dick Francis sooner or later, but what made Banker such a revelation was where I found it. It didn't come from the library like most of my books. Instead, I first spotted in among a pile of my father's books.
Still, Dick Francis remained a shared favorite. Year after year he provided us with new books to pass back and forth and discuss.
This is a surprisingly easy effect to produce in miniature. You will need the usual tackmaking tools and supplies plus a rotary leather punch and two types of leather--lightweight tooling calf and some variety of colored leather.As always, I start out by preparing my leather. This project works best when the tooling calf is very, very thin so that means a lot of skiving.
Once I've achieved roughly the desired thickness, I ditch the knife and go in with sandpaper. I tend to alternate between sanding and treating with gum tragacanth until I have a smooth, even surface.
Next, I flip the leather back onto its grain side. Using a clean paintbrush, I wet the leather...
and lightly tool a heart into its still damp surface. I used the tip of my awl to do this.
Here's my "secret weapon" for creating the round tops of the heart.
I choose the punch size that most closely corresponds to my tooled heart and then I carefully punch out the tops. I want to make sure I'm punching through the leather rather than twisting and tearing. Still, despite my best efforts, some fuzzies are inevitable.
Using a sharp X-acto knife I cut out the bottom section of the heart. The heart on the left has been punched and cut but not cleaned up. To make it look more like the hearts on the right, I will carefully trim the fuzzies with my X-acto knife and treat all the interior edges with gum tragacanth. I don't rush through this stage. The cleaner and smoother the inside edges, the better the finished product will look.
The last step is to glue the tooling leather over the colored leather. I am mindful not to let any glue ooze out and ruin the clean and polished look I've been working towards.
And that's it--hope your Valentines Day is a good one!